Exotic pet care
Exotic pet care advice, paired with footage of each animal mentioned.
Christian BianchiniShort-form video editor
Open for new projects
I edit footage into short-formthat keeps people watching.
I turn livestreams, interviews and talking-head videos into vertical cuts built to hold attention. Three years working with content, from planning to publishing.
Replies within a day · No calls needed, just message me
- Focus
- Reels, Shorts, TikTok and livestream clips
- Languages
- English · Portuguese
- Availability
- Remote worldwide · on location in Paraná
Track record
Selected work
Edits that hold attention.
A few recent projects. Tap any video to watch it with sound.
Bread orders
How to place an order, from request to delivery.
This vs. that
Product comparison, showing which one is actually worth it.
Waffle
Flavor launch, fast cuts to hold the craving.
Medication bought online
Warning about counterfeit medication, opened with a real news hook.
Lemon pie
Dessert flavor, told like the real pie.
Top 5 breads
Ranking of the bakery's most requested breads, filmed at the counter.
Digital menu
New menu walkthrough, built to stop the scroll.
Chocolate
New flavor launch, with the popsicle's texture in close-up.
Paçoca
Classic flavor, paced to build craving.
Treat taste test
Real-time treat taste test, straight from the four-legged customer.
Case review
Real patient case, before-and-after comparison shown on screen.
Question box
A question from the Instagram sticker, answered straight to camera.
Short-form editing
What actually makes a cut work.
Before cutting, I work out what the video needs to say, who it speaks to and where it will be published. Only then do I decide on rhythm, image and sound, and each one is used where it genuinely adds to the message.
From long-form to short
A single livestream, podcast or long video becomes a set of vertical cuts. I go through the full recording, select the moments that stand on their own and give each one its own opening.
Hook and structure
I choose the opening frames and reorder the clips so the point of the video arrives in the first seconds, before the viewer decides to scroll past.
Pacing and retention
I adjust the length of each segment, add pauses and bring in B-roll at the points where attention usually drops. The aim is to keep the video moving without speeding it up artificially.
Captions and sound
Captions timed and styled to stay readable on a phone, with sound design, music and levels finished to match what the platform and the brand require.
Adapting the language
Rhythm, tone and format change according to the brand, the audience and the platform. I have produced content for very different audiences and I do not apply the same style to every client.
AI in the workflow
I use tools like Claude and ChatGPT daily for voice and image drafts, research and faster revisions, and I direct and review every output myself. Automation handles the repetitive passes so the creative decisions still get my full attention.
About
I understand what comes before the cut.
Before specialising in short-form, I worked on content end to end: I set the agenda, filmed, edited, published and tracked how each post performed. I spent a year leading marketing for a civil construction company and then worked with two radio stations that had very different audiences, Massa FM and Aline FM. I keep that same routine today at Amizade FM.
That background is what goes into every cut: I look at the objective, the audience and where the video will be published before deciding where to cut. I am based in Umuarama, Brazil, working remotely with clients anywhere and on location in the region.
Workflow
- 01You send
Footage, references, objective, format and deadline.
- 02I edit
I shape the narrative and deliver the first version, usually within 48 to 72 hours depending on length and complexity.
- 03We refine
Up to three rounds of adjustments, depending on the format, until the video is ready to publish.
FAQ
Questions clients ask before booking.
It depends on the project, so I don't post a flat rate. Message me with the raw footage length, how many videos you need and your deadline, and I'll get back to you with a fixed quote, usually the same day. No call needed for that first step, a DM is enough.
Google Drive, Dropbox, WeTransfer or Frame.io. For livestreams and podcasts, a raw file or a link is enough, I pull the clips myself. You never have to pre-cut anything.
I'm UTC-3, which overlaps the US morning and the European afternoon. Calls are optional, most clients never take one, everything runs on written briefs. Payment by Wise: 50% up front on the first project, monthly in advance after that.
Three rounds included. Most projects close on the first or second, because I lock the hook and the structure with you before building the full edit.
First version in 48 to 72 hours. Ongoing volume, yes, most of my work is recurring, and long-form into shorts is the exact workflow I'm built around.
That's the part I work on hardest. Before cutting I go through your existing content and your audience, and the first delivery comes with a short note on the choices I made, so you can correct the direction instead of correcting individual cuts.
Yes, daily. I use tools like Claude and ChatGPT for research, first-draft copy, image and voice generation, and faster revisions. Every output goes through me before it reaches you: I compare alternatives, push back on generic results, and adjust tone and content until it fits the brand. AI speeds up the repetitive parts. The creative decisions, and the final review, are always mine.
Let's talk
Send me the footage and the objective.
For a faster estimate, include the raw footage length, number of videos, format and deadline.